- Pretenders Pirate Radio Box Set
- Pretenders Pirate Radio Rares
- Pretenders Pirate Radio Dvd
- Pretenders Pirate Radio
Four-disc, one-DVD set celebrates the rich history of the famed post-punk band.
Pretenders is the debut studio album by British-American band The Pretenders, released on 7 January 1980 under Real Records in the UK, and Sire Records in the United States. A combination of rock, punk and pop music, this album made the band famous. Pretenders -(2006)- Pirate Radio 1979-2005 [Bonus DVD] 9 torrent download locations bt-scene.cc Pretenders - 2006 - Pirate Radio 1979-2005 [Bonus DVD] Movies 5 days monova.org Pretenders - 2006 - Pirate Radio 1979-2005 [Bonus DVD] Movies 1 day idope.se Pretenders - 2006 - Pirate Radio 1979-2005 [Bonus DVD] video 13 hours. Pretenders Pirate Radio Rar Bruno's Marketplace is a unique on-line store bringing you products from Bruno's, Sierra Nevada and Waterloo. We are committed to bringing you quality food products.
Rare is the box set that starts strong and stays strong. Usually the first disk or two contains everything you really need, and the last disks are full of late-career tracks that are highlights only compared to the songs that were omitted. Whether through the Pretenders' talent or by the compilers' design, Pirate Radio-- which is the band's first multidisk retrospective and a long time coming-- showcases a band that held onto its gritty gift for crafting complex songs with sharp melodic lines and smart(ass) lyrics. There are some duds here, but the high ratio of rockers to clunkers remains remarkably consistent across all four disk, which is no mean feat considering the Pretenders have been in an almost constant state of turnover since their very first album.
*Available on The Pretenders’ Pirate Radio boxset. Needle And The Damage Done, on Pirate Radio, clocks in at 3:46, is a studio version, and is listed in the box notes as a Viva El Amor! Session outtake. The Pretenders - Pandora. If problems continue, try clearing browser cache and storage by clicking here.This will cause a logout.
Seemingly an ideal band for a box set like this, the Pretenders made at least one great album (their self-titled debut), a few good albums, and a couple of releases that are generously described as 'for-fans-only'. However, they were best song by song-- not just singles like 'Don't Get Me Wrong' or 'Night in My Veins', but album tracks like 'Thumbelina' and 'Bad Boys Get Spanked' as well. Collected together, these 81 songs-- presented in rough chronological order across four disks and complemented with a DVD of mostly lip-synced live appearances-- rarely ever sound dated. Furthermore, listening to them doesn't require any sort of trendy nostalgia for the late 70s or early 80s. Pirate Radio, in other words, proves more than simply artifactual: While even its weakest tracks contribute to its historical/biographical scope, the set proves an imminently listenable, often kick-ass collection.
The Pretenders were post-punk chronologically, if not aesthetically. An ex-pat from Akron, singer Chrissie Hynde hung out with the Sex Pistols, scribed for NME, and clerked at Malcolm McLaren's notorious Sex shop. She was also desperate to be 'in a band,' a need so strong the liner notes suggest it's pathological. So she hooked up with four guys from Hereford and formed the Pretenders just as punk was fizzling out. They fed off punk's visceral energy, but Hynde was too much of a fervent believer in capital-R Rock to buy into its nihilism. Also, while most other post-punk bands were experimenters and tinkerers, she was (and remains) a traditionalist, refining instead of redefining rock. Their modest goal, which they handily achieved, was to be a really good rock band: tight, inventive, aggressive, goofy, gutsy, and-- perhaps most important-- with a particular sound that could be readily identified as the Pretenders. They laid it all out on their self-titled 1979 debut, which includes some of their best songs: the country-inflected 'Kid', the motorbike beat of 'Tattooed Love Boys', the inimitable vocals and slangy lyrics on 'Brass in Pocket', the show-closing 'Mystery Achievement'. People don't buy and comb through every lyric and riff of this album the same way they do Power, Corruption, and Lies or Entertainment!, but it's aged just as gracefully, retaining its original power.
Nevertheless, a surprising eclecticism is encoded into the Pretenders' DNA, the byproduct of their transatlantic line-up and Hynde's coming-of-age to American radio. Pirate Radio includes convincing country songs like 'Tequila', Bo Diddley rumbles like 'Cuban Slide', shameless balladry like 'I'll Stand By You', American soul numbers like their cover of 'Thin Line Between Love and Hate', and blue-eyed soul songs like '977' (which borrows its melody from 'What Becomes of the Brokenhearted?'). They could easily be gaudy and goofy ('The Adultress') and maudlin ('Birds of Paradise' or 'I'll Stand By You', take your pick), but they treat all these styles as if they're all logical bedfellows under the Rock umbrella.
Connecting all these disparate stylistic elements is Hynde's singular bravado, a vocal delivery both masculine and feminine, aggressive yet controlled, brash yet vulnerable-- contradictions that serve the song first and her persona second. Her voice has a crystalline quality that arcs tenderly on 'Kid' and '2000 Miles', but she frequently launches into a kind of jive singspeak, rushing through her syllables without losing the meter. She can sell a line as mushy as 'I'm thinking of the fireworks that go off when you smile' as persuasively as a raunchy line like 'You've got your chest on my back across a new Cadillac-oh yeah.' From the very first track on Pirate Radio through the very last, she maintains a complex and often contradictory front. In this regard, the television and concert clips on the DVD could potentially complement the music and portray another side of Hynde, but most of the material consists of awkward performances in which she either lip-syncs poorly or tries way too hard. Only the mid-80s concert footage of 'Middle of the Road' hints at her considerable stage presence.
Pretenders Pirate Radio Box Set
Sadly, Hynde is the only constant throughout Pirate Radio's four disks, just as she was the only constant in the Pretenders. Original members Pete Farndon and James Honeyman Scott both OD'd (Farndon after being booted from the band, Scott after a night of pub hopping), and drummer Martin Chambers was fired, then rehired a few years later. Hynde carried on for years under the Pretenders moniker, never going solo; that's less a heroic act that a manifestation of her need to belong to a band, even if it allegedly inspired the hit 'Back on the Chain Gang', which is reportedly about keeping the band together after Scott died. We should all be so lucky to have a memorial as lovely as Hynde's 'oh-oh-woa-whoa-whoa' that punctuates each line of the verse. So Pirate Radio naturally rises and falls with her whims, and while it may have been tighter with three instead of four disks, the set shows an artist who helped to create and sustained a sound that has made the Pretenders stand out among nearly thirty years' worth of bands. The audience may have shrunk, but the songs remain the same.
Back to home To say that Warner/Rhino/Sire's 2006 four-CD, one-DVD box set Pirate Radio is for the die-hard Pretenders fan may be stating the obvious -- after all, career-spanning multi-disc sets heavy on rarities are by definition for diehards. But die-hard Pretenders fans are different than other die-hard fans, since they can be easily split into two separate camps: those who followed Chrissie Hynde throughout her career, and those who lost interest somewhere after 1983's Learning to Crawl, the triumphant third album that proved Hynde was above all a survivor. After that, Pretenders records were notoriously hit-or-miss affairs, sometimes holding together a little better than others, but patchy enough to whittle down their audience to just the dedicated, while still indicating that a killer comp could be pieced together from these records.
Is Pirate Radio that comp? No, not really. It has almost all of their charting singles and many of their best album tracks, but it's not a lean collection of nothing but the best from the Pretenders; it has too many rarities and treats each portion of their career too evenhandedly to be that. By the end of the first disc, Pirate Radio has already dipped into Learning to Crawl, and well over half the collection is devoted to music released from 1990 on -- an era that had two solid albums (1994's Last of the Independents and 2002's Loose Screw) and one strong one (1999's Viva el Amor), plus a popular if subdued live album (1995's Isle of View). This era was certainly good, but in no way matched the intensity of their first five years as a band, particularly in its first incarnation when Hynde was in a gang with guitarist James Honeyman-Scott, bassist Pete Farndon, and drummer Martin Chambers. The first disc bears this out through its rarities, where the original 1978 demo of 'Precious' is nearly as tough as the one on the group's peerless debut, while the Nick Lowe-produced single version of 'The Wait' has a reckless energy.
Even songs that seemed like throwaways at the time have aged into mini-masterpieces: there are the two songs that had been stranded on the 1981 Extended Play EP -- the tense, dramatic 'Porcelain' and the infectious 'Cuban Slide' -- plus a dynamic take on the Small Faces' 'What You Gonna Do About It.' All three enhance the reputation of the original Pretenders while filling out corners in their history, something that can't quite be said about the deluge of rarities that follows over the next three discs. Not that the 13 previously unreleased cuts and six stray songs (mostly from B-sides and tribute singles) are bad by any means -- there are quite a few gems in this batch, particularly the terrific country tune 'Tequila' (dating from the first days of the band, but cut during Learning to Crawl), the searching outtake 'When I Change My Life,' and a bunch of covers, including takes on the Beatles' 'Not a Second Time,' Warren Zevon's 'Reconsider Me,' Radiohead's 'Creep,' and Merrilee Rush's 'Angel of the Morning.' But as the box shifts into second gear halfway through the second disc, it stops being a set that holds appeal to both camps of Pretenders fans and becomes the province of those who have faithfully followed Hynde throughout her ups and down.
Pretenders Pirate Radio Rares
For those fans, Pirate Radio is pretty much an unqualified delight. It rounds up the best of the uncollected songs, it presents an accurate and thorough history, it sounds terrific, it has great and comprehensive notes from Ben Edmonds (along with some track-by-track comments from Hynde), and the DVD is filled with thrilling television performances (eight of the 19 clips on the disc are from the original lineup, plus there are two from the Learning to Crawl group), which is alone worth the price of the set for the truly devoted. And ultimately that's who Pirate Radio is for -- for fans who love Hynde, warts and all. It's for the fans who believe that, despite (or perhaps because of) the peaks and valleys, she is indeed how Nick Lowe describes her: 'she's still the same girl we were all in love with nearly 30 years ago..and Chrissie's still the coolest girl in the world.' For those who agree with Basher, Pirate Radio is proof that their love has not been in vain.
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Sample | Title/Composer | Performer | Time | Stream |
---|---|---|---|---|
1 | 03:42 | |||
2 | 02:36 | |||
3 | 03:09 | |||
4 | 03:07 | |||
5 | 03:00 | |||
6 | 05:25 | |||
7 | 03:04 | |||
8 | James Honeyman-Scott / Chrissie Hynde | 03:54 | ||
9 | 03:15 | |||
10 | 03:29 | |||
11 | 04:33 | |||
12 | Brian Potter / Ian Samwell | 02:45 | ||
13 | 03:58 | |||
14 | 04:09 | |||
15 | 02:56 | |||
16 | James Honeyman-Scott / Chrissie Hynde | 03:48 | ||
17 | 04:17 | |||
18 | 04:31 | |||
19 | 04:55 | |||
20 | 02:53 | |||
21 | 04:14 |
Sample | Title/Composer | Performer | Time | Stream |
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1 | 03:53 | |||
2 | 03:19 | |||
3 | Jackie Members / Richard Poindexter / Robert Poindexter | 03:42 | ||
4 | 05:26 | |||
5 | 04:14 | |||
6 | 03:33 | |||
7 | 03:40 | |||
8 | 03:58 | |||
9 | 04:09 | |||
10 | 03:47 | |||
11 | 03:47 | |||
12 | 04:57 | |||
13 | 05:25 | |||
14 | 04:36 | |||
15 | 03:18 | |||
16 | 03:42 | |||
17 | Burt Bacharach / Hal David | 02:59 | ||
18 | 03:19 | |||
19 | 03:48 | |||
20 | 02:13 |
Sample | Title/Composer | Performer | Time | Stream |
---|---|---|---|---|
1 | 03:04 | |||
2 | 02:43 | |||
3 | 04:22 | |||
4 | 03:25 | |||
5 | 04:53 | |||
6 | Chrissie Hynde / Tom Kelly / Billy Steinberg | 03:55 | ||
7 | 03:17 | |||
8 | Chrissie Hynde / Tom Kelly / Billy Steinberg | 03:54 | ||
9 | 03:14 | |||
10 | 03:31 | |||
11 | 03:39 | |||
12 | 03:10 | |||
13 | 04:00 | |||
14 | 03:46 | |||
15 | 04:32 | |||
16 | 04:55 | |||
17 | 05:25 | |||
18 | Colin Greenwood / Jonny Greenwood / Mike Hazelwood / Albert Hammond, Jr. / Ed O'Brien / Phil Selway / Thom Yorke | 04:02 | ||
19 | 04:18 | |||
20 | 05:32 |
Sample | Title/Composer | Performer | Time | Stream |
---|---|---|---|---|
1 | 03:42 | |||
2 | Mark McEntee / Shelly Peiken | 04:01 | ||
3 | 03:33 | |||
4 | Bernard Butler / Chrissie Hynde | 04:16 | ||
5 | 04:32 | |||
6 | 03:45 | |||
7 | 03:41 | |||
8 | 04:14 | |||
9 | 04:40 | |||
10 | Chrissie Hynde / Tom Kelly / Billy Steinberg | 03:24 | ||
11 | 03:56 | |||
12 | 04:53 | |||
13 | 04:35 | |||
14 | Chrissie Hynde / Adam Seymour | 03:03 | ||
15 | 03:28 | |||
16 | Chrissie Hynde / Adam Seymour | 02:22 | ||
17 | 02:48 | |||
18 | Chrissie Hynde / Adam Seymour | 03:30 | ||
19 | 04:02 | |||
20 | Chrissie Hynde / Adam Seymour | 04:50 |
Pretenders Pirate Radio Dvd
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10 | Chrissie Hynde / Tom Kelly / Billy Steinberg | |||
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